The 105 Artworks of media Gold Leaf and containing the word kano takanobu, gold leaf, 1600

The focus of this composition is a young woman dressed as a gallant samurai, performing the Kabuki skit Chaya asobi, or “Teahouse Entertainments.” Her comic sidekick, the manservant Saruwaka (Young Monkey)—also played by a woman—holds a branch of maple leaves or flowers.In its earliest phase, Kabuki...

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This magnificent suit of Japanese armor represents a light, form-fitting type designed to protect the body in man-to-man combat. Specialized craftsmen laced together hundreds of lacquered metal and leather plates with red and indigo silk cords to give the suit its distinctive appearance as well as i...

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The Morgan Picture Bible stood over a foot tall and contained more than 380 scenes from the Old Testament, extending from the story of Creation to the reign of King David. Though it originally consisted exclusively of pictures with no accompanying text, three sets of captions were later added to the...

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The massive black trunk of an ancient plum tree with bending, twisting branches spans nearly sixteen feet across four sliding panels. The reptilian old tree sprouts blossoms, which convey the atmosphere of a cold early spring morning and symbolize birth and renewal. These panels originally formed on...

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The Mishneh Torah is the magnum opus of Moses Maimonides, the renowned medieval philosopher. This remarkable text consolidates Jewish law into a systematic, comprehensive and accessible anthology, still consulted by rabbis and scholars today. This manuscript copy of the Mishneh Torah is one of the m...

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Across a brilliant gold-leaf background, the artist fashioned a wide undulating line from traditional Japanese paper (washi) soaked in ink and crushed-shell pigment (gofun) and then pressed into compact folds. The pair of screens is titled Kyoku, which in Japanese can mean “bend,” “curve,” “music,” ...

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The Table of Affinity serves as a pendant to the Table of Consanguinity in the section on matrimony in Gratian/

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This peony fan shows the blending of literati and popular tastes in the period. Literati artists traditionally disdained a gold ground as vulgar, but Hu uses it to set off his image of the luscious peony, a flower with associations of wealth and seductive beauty.

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Traditional methods of landscape painting are invoked by Hu in this fan. Mountain forms are built using a system of brush dabs, while forests are created by an assembly of ideogram trees. Dilute ink and pale colors soften the rigor of the traditional conception, producing work with an easy popular a...

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In the center of the miniature, the Virgin sits on the ground with seven swords piercing her, each symbolizing one of the events related to Christ that brought her sorrow. The theme of the Seven Sorrows of the Virgin was meant to draw the viewer into Mary/

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Ju Chao's inscription on this decorative fan says the bird is done in the style of the Yangzhou Eccentric Luo Ping (1773–99). Behind Luo Ping 's and Ju Chao's pictures is the idealized realism of the 12th century Song Academy painters. By the 19th century however, nature is no longer a mystery touch...

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On the sounding of the fifth trumpet, a star falls from heaven and is given the key to the bottomless pit. Here the star, with the key dangling from one of its rays, hovers over the pit, nearly obscured by the issuing smoke. From the pit, a legion of monstrous locusts emerges to plague the earth. Th...

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As the sixth trumpet sounds in the Apocalypse, Saint John, seen in the right margin, hears a voice from the golden altar. The illuminator identified the voice as the Lord/

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The piñanona (scientific nameMonstera deliciosa) is a common plant used for decoration in homes and hotels throughout Mexico. In this canvas, Gabriel Orozco abstracts a composition from the image of a piñanona leaf’s shadow. While Orozco’s earlier paintings tend to focus on geometry and chance varia...

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In this book of hours, an image of the Madonna and Child prefaces a prayer commonly found in books of hours. Addressed to the Virgin, it begins with Obsecro te domina (I beseech you lady). The image/

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A courtesan leans against an armrest and engages her young attendant (kamuro) in conversation. Close inspection shows that the kamuro holds a small incense burner from which a thin line of smoke is rising, and the courtesan presents her right hand as though requesting the kamuro to hand it to her.Ka...

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In the inscription on this fan, Shitao sets forth his theory of painting, 'the single stroke,' or 'the painting of oneness (yihua)':On a windy, rainy, spring day, I am happy I have no visitors; my hand is free, my mind relaxed and cleansed. The ancients called it yihua, the 'single stroke': a thousa...

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When Italian silk mills in Lucca and Venice flourished in the 13th century, technique and patterns were very much dependent on Spain and the eastern Mediterranean. The fabric of this chasuble (in Latin casula, meaning little house, from the originally ‘house-like’ shape of the robe) from Cologne, wo...

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